Beginner's Guide
We are a podcast dedicated to working out what makes greats screenplays great.
Since 2014 we’ve been doing our homework and releasing it as the Draft Zero podcast. And we’ve done a lot of homework: over 200 hours!
We’ve always scratched-our-own-itches with our craft, so our episodes zig-zag between topics. This isn’t a screenwriting course (sorry) but it is a deep-dive into the craft.
So if you don’t know where to start, what follows is a selection of our foundational episodes organized roughly by topics. Start anywhere that interests you!
Structure
How do sequences, acts, and story architecture work together? These episodes build the macro toolkit.
- DZ-46Structure & Point of ViewWhat questions do you want your audience asking at any given time?Listen if you want to understand how narrative point of view can organise your entire story structure
- DZ-43Driving Sequences - Character and Plot IntensityWhat gives your sequences their intensity?Listen to understand how dramatic questions shape audience engagement and pacing through sequences.
- DZ-54Thematic SequencesHow does removing character and plot question force your audience to engage with theme?Listen if you want to make theme your primary driver (for a sequence)
- DZ-10Midpoint Reversals and The RideHow can the middle of your film pivot so much that it pulls the rug out of your audience?Listen when your second act sags and you need a structural jolt to accelerate audience engagement.
- DZ-32High-Tension SequencesHow can you recreate the feeling of cinematic high-tension on the page?Listen if you want to evoke fear and tension using only the written word (without relying on camera, lighting, music, or sound_
Protagonists & Antagonists
CWo drives the story and who opposes them.
- DZ-49Antagonists! 1 - vs HumansWhat makes a strong human antagonist?
- DZ-50Antagonists! 2 - vs SelfHow can characters be their own antagonist?Listen if you want to understand how protagonists can serve as their own antagonist and how antagonistic forces shape a character's journey
- DZ-51Antagonists! 3 - vs NatureWhat changes in your story if your antagonistic forces can't be bargained with?Listen to understand why pressure--not obstacles--is what transforms a protagonist when they face an unstoppable force.
- DZ-52Antagonists! 4 - vs SystemsHow do systems pressure your characters to change?Listen if you want to use how societal, governmental, or environmental forces as villains.
- DZ-53Antagonists! 5 - vs AudienceWhat if there is no antagonist?Listen to turn narrative uncertainty itself into the engine that keeps viewers compelled.
- DZ-33Protagonist vs Hero - Dawn of Character FunctionHow does splitting 'character functions' enhance theme?Listen to see how splitting character functions across your cast sharpens what your story actually means.
- DZ-67Writing Passive Protagonists & MelodramaHow do I tell a powerful story where the protagonist cannot drive the plot?Listen if you want to write powerful stories centred on characters without much agency.
Character
How characters are introduced, made compelling, and motivated — even when they're bad humans.
- DZ-09Characterising IntroductionsCan the introduction of a character be so good that the character doesn't need describing?Listen if you want your character introductions to pop!
- DZ-03Making Unlikeable Protagonists CompellingHow do you make obnoxious a-holes compellingListen if you want to understand how filmmakers make audiences care about deeply flawed protagonists
- DZ-55Character Motivations 1What to do when a reader says "I don't buy that he/she would do that"?Listen if you're writing a scene where your character does something 'out of character' and your readers to buy it.
- DZ-56Character Motivations (Part 2)Workshopping ways to fix character motivations.Listen if you want to understand how character decisions can break a screenplay and how to fix them
- DZ-19Car-Crash CharactersHow do you make unlikeable characters compelling to watch... in drama?Listen when you're writing a protagonist who does terrible things but you need the audience to keep watching.
First Act Problems
The hardest act to write well. A few episodes on the most common failure points.
- DZ-44Marvel - First Acts and Establishing CharactersHow can your first act effectively establish your character journey?Listen if your first act exposition feels clunky--the MCU has a schema for burying backstory inside character introductions.
- DZ-15World Building Rules, Okay?How does setting up rules help you build a world?Listen when your opening pages feel like exposition dumps (which is bad, okay?)
Third Acts
What does a satisfying ending actually do emotionally?
Scene Work
The micro level — individual scenes, showdowns, status, and tactics.
- DZ-05Shifting audience point of view and heightened emotionsCan forcing your audience to ask questions - and then answering them - trigger an emotional response?Listen to learn about the most powerful tool in screenwriting: narrative POV.
- DZ-40Tactics and ScenesHow do tactics make your characters and scenes more dynamic?Listen to learn how a character's tactics reveal who they are under pressure--and how their changing tactics reveals their growth.
- DZ-29Showdowns & Scene StructureWhat can fight scenes - whether physical or verbal - teach us about structuring any scene?Listen to discover how fight scenes can be great inspiration for writing any kind of showdown (verbal or otherwise)
- DZ-08Status TransactionsHow does a shift in status or power reveal character?Listen to make your character relatinships more dynamic.
Dialogue
Tools for writing dialogue that earns its place on the page.
- DZ-31Tools for Better Dialogue 1How does dialogue serve to reveal character?Listen if your want your dialogue to individualizes characters, reveal characterization, and shift status!
- DZ-63Tools for Better Dialogue 2 - Hook and EyeHow can you create flow and contrast in your dialogue?Listen when you're rewriting dialogue and want to create connection between characters.
Theme
What is your story really about?
- DZ-41Theme and WorldviewHow can your characters' worldview dramatise your theme?Listen if theme feels abstract - we talk how how to make it visible through what characters believe.
- DZ-45Arguments of the SceneHow can you dramatise your theme on a scene level?Listen to discover how a character's worldview becomes the engine of conflict inside a single scene.
Words on the Page
Formatting, white space, transitions, and the craft of the script document itself.
- DZ-16Masters of Time and WhitespaceDoes manipulating time on the page make your script feel more cinematic?Listen if you want your screenplay to feel cinematic before a director ever reads it.
- DZ-60Unfilmables 1 - Engaging imaginationHow can unfilmables enhance the experience of your script?Listen to discover how *produced* screenplays use unfilmables to shape tone, performance, and humour on the page.
- DZ-61Unfilmables 2 - Moments of AweHow can unfilmables help you create those cinematic moments of awe?Listen if you're writing a moment that feels too big for the page (but you need it on the page).
- DZ-62Unfilmables 3 - As Ifs & Emotional ContextHow do you know if your unfilmable is good... or if you're just being a wanker?Listen if you want to learn how to write tone and emotional context on the page.
- DZ-21Scene Transitions and the HookHow can scene transitions do more than just move from one location to another?Listen to understand how transitions compress time, enhance thematic connections, unify story threads, and orient your reader
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